Debjit Mahalanobis is an Indian double bassist and composer exploring the bass as a
voice in Indian and contemporary music. His work moves through Western classical
training, Indian folk and classical traditions, film, theatre, and experimental sound.
Debjit develops a new vocabulary for the bass in Indian and contemporary music, moving
from the double bass to the Gajveena, and reaching for a low string voice shaped by raga,
resonance, folk memory, and experiment.
What can the bass become in Indian music?
That question drives everything — from the double bass to the Gajveena,
a new low-register string instrument of his own design, built to carry resonance,
melody, ornamentation, and memory.